I’m not going to lie, the last few playlists articles have been exhausting, between their large scale and heaps of writing. I like doing them, sharing music and talking about it is a lot of fun, but I had kind of been considering scaling them back in some way to make it a little easier on myself; I started working on the last one something like a month ahead of my self-imposed deadline, and still barely got it done in time.
Thankfully, when I started working on this one (a little closer to the deadline), I realized that I also just had less to talk about this time. I was a little lighter on music discovery the last few months, between being busy with other things, the lack of Bandcamp Fridays spurring me to scour for new things, and just several other factors. Things might pick up again for the next edition (September 6th marks the first Bandcamp Friday since May for anyone interested in picking up things I’ve mentioned here before, and I definitely built up my own list to investigate before then; plus at a certain point, I’m sure End of Year lists will release and give me new things to check out), but we’ll see how I’m feeling come four months from now or so.
But I did find things that I liked and wanted to talk about in the meantime, including some of my favorite releases of the year, so completely skipping a playlist was never part of the question. Like I’ve said before, I use these as much as scrapbooks for myself as anything, and missing any of them feels weird (I still idly consider going back and making playlists for the years I skipped sometimes).
So, without further ado, my Summer 2024 Playlist:
Notes: Not every song was on every platform. Plasma Cutter’s album wasn’t on YouTube (Bandcamp), alpha’s music was not on either YouTube or Spotify (Bandcamp), and sponzi’s “reach” is basically nowhere (Soundcloud).
On that note, I’ll reiterate that if you want to support these artists, Bandcamp is the best place to do it! Most of them have Bandcamp pages where you can purchase the music directly and which will give artists much better cuts than any other platform; and, as I mentioned above, this Friday (September 6th) is Bandcamp Friday, so 100% of any purchases on that day will go to the artists!
And much like the last Playlist article, I know album titles are usually italicized, but I used single quotation marks here instead because Blogger has been making fixing formatting very tough, and using single quotes means exponentially less work when I go to post.
Magdalena Bay: I was kind of expecting this from the moment it was announced, given how much I loved their first full-length album ‘Mercurial World’, but Magdalena Bay’s sophomore record ‘Imaginal Disk’ is my favorite album of the summer. It just feels like nobody else is doing this kind of interestingly lush, densely-layered pop, at least not on their level.; I kind of just sink into it when I put it on and time just floats by. I was kind of worried that whatever they did next might not match up, given that ‘Mercurial World’ has been one of my favorite releases of the last three years, but then they released lead single “Death & Romance”, which might be my favorite song of theirs? It’s a tough call. And like… reflecting on it more, I’m not sure that I like ‘Imaginal Disk’ more than the first record, but that also feels like a silly comparison, when I think about it? Like, I might like pizza more than tacos, but my answer on which I like more is also going to shift from day-to-day anyway, and even if I generally lean towards one over the other, man cannot live on tomato sauce and “Hysterical Us” alone, y’know? Also, ‘Imaginal Disk’ hasn’t even been out for 2 weeks yet, so it definitely has time to grow on me like ‘Mercurial World’.
I think there’s supposed to be a storyline undergirding this one too, something about aliens or sci-fi disks that people can insert into their heads or something?* They had a whole visual component to that effect between their music videos and official website, but I haven’t really linked it all together yet, and the lyrics are general enough that you can kind of vibe along as you let the waves of awe of beauty or nervous paranoia or whatever else wash over you. Even picking two songs to go on this list was hard (“Death & Romance” was a gimme), but I ended up going with the final pre-release single and all-around funky banger “That’s My Floor” and starry-eyed opener “She Looked Like Me!”.
*I was kind of shocked to learn that the album’s title is a reference to a real thing, the imaginal disc… but rather than the term being about music or computers or something like that, it is instead related to the development of insect larva? I can’t tell if this is supposed to literally tie into the story, or just thematically relate.
Porter Robinson: I kept going back and forth on whether ‘SMILE! :D’ represented a huge shift from Robinson’s last album ‘Nurture’, which was one of my favorite albums of 2021. I don’t know, but that seems like an encouraging thing when you think about it, right? You want artists to explore and push their sound while still staying similar enough to what you initially liked. Musically, it’s not the huge jump that was his 2014 debut ‘Worlds’ to that belated sophomore effort, but there are still new elements Porter is working in here (a lot of them tinged in 2000s nostalgia like I predicted last time), like pop-punk, chiptune, and 2000s electronica.
Lyrically, there’s been some shifts as well, with the source of Porter’s anxieties shifting from the struggles of creativity, expectations, and writers block to more of the aftermath: things like fandom, success and self-fulfillment, those left behind on your journey, and art going from the creator’s thing to the public imagination. It’s… honestly more introspective than what I’ve come to expect from albums where an artist explores success. And it helps that that sort of vulnerable introspection is something that Porter does well, and he has a knack for matching it in his music. The synths on songs like “Cheerleaders” (a pre-release track that I included on my last playlist) or “Mona Lisa” (a surprise collaboration with Frost Children) bounce between echoing voices like a chorus, pulsing like a heartbeat, wailing like a guitar solo, or blaring like sirens. The album is a comforting, almost hypnotic listen, and I kept coming back to it.
The Greeting Committee: I think ‘Everyone’s Gone and I Know I’m the Cause’ was the release that I revisited the most over the last four months? Some of it is that it was released earlier than ‘Imaginal Disk’ or ‘Smile! :D’, but the new Greeting Committee album is strong in its own right, in ways that I can’t always put into words. I included their last album ‘Dandelion’ on my Summer 2022 Playlist and couldn’t find much to say about it, but I liked it enough to include 3 tracks, and it only grew on me from that point. Something about their specific kind of melancholic, pensive alternative rock just feels comforting, like I really related to it. I can put it on and enjoy it most times, but when I’m in the right mood, it really hits and I just kind of let it envelop me.
But ‘Everyone’s Gone…” is somehow both more of ‘Dandelion’ and an improvement. It hits that same tone perfectly, delving into mundane feelings of isolation, frustration, repetition, but also some solace in things like small joys or the people in your life. And it helps that they’ve taken the sound of the last album and tightened it up further here. This thing is loaded with catchy hooks and choruses and guitar lines, the kind of thing I’d put on while doing something else and find myself humming and singing along to songs that I didn’t realize I knew so well. It was legitimately hard to whittle my choices here down to just three (and that was even with pre-release single “Where’d All My Friends Go?” out of consideration after featuring on my last playlist). Really, my one complaint is probably that the album isn’t longer, at a brisk 10 songs and 32 minutes that go by so fast despite how contemplative it can feel at times. I wouldn’t mind an extended Deluxe release in the future, honestly. (It happened with ‘Dandelion’, so it’s not out of the question!)
Brigitte Calls Me Baby: I picked up ‘The Future Is Our Way Out’, the first full album from Chicago quintet Brigitte Calls Me Baby, on a random recommendation and ended up being immediately taken in. It’s this really interesting combination of rock influences, with the instrumentals of an ‘80s post-punk or new wave act, and a singer who sounds like a rockabilly crooner? I thought for sure I was mistaking something, but no, Roy Orbison and Elvis Presley come up in his influences. That mix makes for a really compelling sound, something that sounds classic and nostalgic even while you know that it couldn’t have ever existed, not like this; almost like seeing a ‘50s-style greaser ride up on a Light Cycle. It helps that the band can write some great songs, stuff with this dark-yet-dreamy sound and sweeping, emotional lyrics.
Friday Pilots Club: This was one of the bands where I wound up liking their debut LP ‘Nowhere’, and liked it enough that I wound up going through a lot of their smaller, earlier releases. The opening, titular track of the album opens with… I can’t tell if it’s a guitar with a wailing talkbox effect, or a human shout processed to sound like a distorted instrument? And then takes off into a dark, frantic tear, which is like a shot of adrenaline to kick things off. The rest of the album keeps in that dark tone, with mostly aggressive, dance-y rock grooves and a few other that follow at “Nowhere”’s brisker pace. Going back through the Chicago-based band’s earlier songs was also fun; they’ve been honing their distinctive sound for a while, and there are some strong singles there, even if I think the album has the highest overall quality of it all. It’s an exciting trajectory to start a career off, and I’m excited to see what’s next for them.
Nourished By Time: Even months after writing about his first album on my last playlist, I still don’t really have the words that I feel like properly describe Nourished By Time’s sound (I went with “a blend of bedroom pop, chill synths, and ‘90s R&B” last time, but I guess I could have also just gone with the more-vague-but-still-accurate “they’re just jams”). Either way, if you liked ‘Erotic Probiotic 2’ like I did, his new EP ‘Catching Chickens’ continues with that sound.
South Arcade: Label-mates of Dead Pony, who I found for my Start of 2024 playlist, South Arcade is pulling from a lot of the same 2000s rock influences, particularly the era’s pop punk and some light nu metal touches. I’m once again kind of surprised at how well that can work; maybe it’s the extra distance from the original stuff that lets it breathe and grow a little more? Either way, they don’t have many songs just yet, but “stone cold summer” still wound up being one of my songs of the summer. I’m curious to see what they do next.
Plasma Cutter: Since I mentioned it earlier: did that mention of chiptune up in the Porter Robinson section make you want to check out more in that style? Do you ever wish for more stuff that sounds like Anamanaguchi, but with an even bigger use of rock songs? Then may I recommend Plasma Cutter’s excellent new album ‘III’? (which has a comically-long subtitle that I’ll save for the list below) It’s full of headbangers with excellent melody lines, and even if you haven’t thought much of chiptune as a genre, this might be a good jumping-on point.
Early Eyes: ‘Look Alive!’ is a fun little album of jazzy, DIY indie pop, a perfect breezy listen for a summer afternoon. And “Chemicals” is just a perfect pop song, loaded with huge hooks that stick in your head and cathartic builds to big moments (my favorite might be when the chorus after the breakdown returns with a horn section) all somehow crammed into 3 minutes; it’s the kind of thing that leaves me craving more.
Similar Kind: If that description sounds appealing, I’d also recommend Similar Kind’s EP ‘Commercial Break’, which has a similar feel, but with a bit more of a glimmering, new wave-y finish. “Leonard St.” is the standout for me, with a driving rhythm section infusing the song with energy, and soaring, yearning vocals about reuniting with a long-separated love matching that feeling of urgency. Another great listen during summer sunsets.
Compass & Cavern: A Denver duo that combines the kind of crunchy riffs, crashing drums, vocal stylings you’d want out of power pop, with some prog rock-y flourishes around that core, like futzing with tempos and time signatures, some solo-ing and riffing, and the occasional dip into things like distinct sections of songs and sci-fi-inspired subjects. It’s a little unusual as a pairing, but I was really into this combination, and ended up picking up a couple of their recent singles and small EPs, and I wouldn’t be shocked to see more of their stuff here next time as I go back through their backlog.
June Jones: Australian Jones’s sophomore EP goes from the simmering, lower-fi jams of her first EP to higher-energy dancefloor bops, all while maintaining a similar dark, slinky electropop sound. It’s a fun switch-up, and makes me curious to see what she does next.
Underscores: We got an extended Director’s Cut version of last year’s ‘Wallsocket’ (which made my End of 2023 list) which included four new tracks. They all fit right in with that album’s mix of musical styles, plus lyrics following vignettes around the titular fictitious town. Really, my main complaint is probably that the extra tracks push an album runtime that was already nearly an hour up another 20 minutes and extend it past what already felt like a pretty definitive ending; but the new tracks themself are solid, and the album’s narrative style means that they honestly work just as well as a related EP fleshing out the same themes a little more.
The Decemberists: Look, we’re nine studio albums (plus several EPs and live releases) into the Decemberists’ career at this point. Anecdotally, they’ve historically been one of the more hit-or-miss things I’ve introduced friends to; I don’t know if this will be an album to win over the more skeptical, but as someone fully onboard with their brand of storytelling folk-rock and chamber-pop, this was another solid release. ‘As It Ever Was, So Will It Be Again’ leans a little more on the jangly ‘60s sound than some other releases, but it also delves into a solid smattering of other styles, which I appreciated. You’ve got some solid singles like “Oh No” (on my last playlist as a pre-release single), “Long White Veil”, and “America Made Me”. And it closes with a twenty-minute multi-part epic about Joan of Arc seeing visions of angels, complete with an outro of guitar and organ soloing over singing the album’s title. Like I said, there’s a good chance they aren’t your thing (and if you aren’t sure and want to start with something more accessible, maybe give ‘The King Is Dead’ a try first); but if it is, it is just so satisfying.
Joywave: Speaking of veteran artists who regularly appear on these lists, Joywave’s ‘Permanent Pleasure’ dropped back in May, the electronica-infused alt rock band’s fifth album. It’s everything I’ve come to expect from Joywave at this point, maybe not their best but definitely with several highpoints, like “Brain Damage” with it’s big string hits on the chorus, or the equally-bitter-and-groovy “He’s Back!”.
Lake Street Dive: And while we’re on this train of thought, Lake Street Dive also released ‘Good Together’ back in June. I don’t know if it’s my favorite release of theirs, but again, there are plenty of good moments throughout, and it’s a perfect soundtrack for basically anything. If you’ve liked them in the past, or if you’re interested in alt-jazz/pop stuff, check it out.
Dayglow: ‘People in Motion’ is a perfectly pleasant slice of indie pop, anchored by lead track “Second Nature”, a funky little jam that I keep getting stuck in my head.
Voluntary Hazing: A Bay Area twelve-piece band that I saw pitched as “Ska Punk crossed with Midwest Emo”, and you know what? As weird as that combo might sound… yeah, it is exactly that! If that description sounds interesting to you, check out their debut album ‘Addictive Little Sounds’, which has some fun DIY energy.
Dreamstates: I shouted out Dreamstate’s garage-rock/dance-pop sound last time, and then they went and released ‘The Double-Time Dilemma’, a fun covers album. I love fun covers! Especially ones that aren’t afraid to to play around with the originals, and Dreamstates does a good job translating these pop songs to their style. If stuff like dance-pop covers of Jacob Collier and Adele or ska punk takes on the Lumineers or the Cardigans sounds intriguing, give it a listen.
Chloe Moriondo: I was a little iffy on her last album’s shift, from the bedroom pop-rock of ‘Blood Bunny’ to the more hyperpop-inspired ‘SUCKERPUNCH’. Well, as a between-album single, she did a style swap single, redoing one song from each album in the other’s style, and I actually really dug it. “Celebrity” really sounds like it could have slotted into ‘Blood Bunny’ outside of maybe the slight shift in lyrical content. But I was actually kind of stunned by this version of “I Want to Be With You”, which… I think I like more than anything on ‘SUCKERPUNCH’? Some of it is probably just that it’s a stronger song in its bones, but I also think some of it is that her experience with that sound is paying off, and she has a clearer, more defined view of what she wants to do with that sound.
Some Brief Thoughts on Singles that Lacked Larger Releases
Recurring Playlist picks St. Lucia (“Back to You”) and Nightlife (“strangeluv”) released some great songs, and seem to maybe be working towards an album? But no official announcement yet.
Speaking of St. Lucia, through a remix of theirs, I learned of “Velvet Connection” by Moody Joody, which is a great summer song. This was close to my deadline, so I haven’t checked out their older stuff, but maybe next time?
Speaking of good summer songs that are sort of synthwave-y, it had been a hot minute since we got new music from Gryff, but he released “Losing Touch” (featuring Max Cruise) recently, and that was good! And while I’m on this lead-in, PRIZM also released “Doin’ Alright”, which is pretty good. I’d be thrilled if either of them was leading up to an album too, but no confirmation yet there. Ditto
Also no word on full albums from Jamie Paige yet, but she released a few singles as both herself and as part of her new side project FLAVOR FOLEY. I included “Machine Love” and “weathergirl”, respectively, but the other songs that I cut time (“Cadmium Colors” and “rawdog”) are also pretty good, if you’re looking for more things after finishing this Playlist!
I included new act Good Neighbours in my last article. They only released one new original song in the intervening months, “Daisies”, but it was a solid one! Still looking forward to more. But also, they did a live cover of possible-song-of-the-summer “Espresso”, and honestly? I think I like this version more. Something about the looser, rumbling energy that they bring to it that I just prefer.
And while I’m talking covers… remember the band Magnolia Park from my End of 2023 Playlist? They got invited to do a song for a “pop-punk bands covering Disney music” album, and they picked “I2I” from ‘A Goofy Movie’. I can’t say I’m excited for the rest of the project, but at least on Magnolia Park’s end? A great, underrated song choice (as far as Disney songs go) that I have a lot of nostalgia for, and they absolutely nailed it, so kudos to them!
We also got some new singles from Beach Bunny (“Vertigo”) and Roosevelt (“Automatic”). It feels too early for either to be the start of a new album cycle, but I also might be totally off there? Good stuff, either way.
Remember this viral song from a few years ago? Well, if you missed it, Daði Freyr has continued releasing great music (with hilarious music videos) in the meantime, and after a short break, he returned with his newest jam, “Fuck City” (once again, definitely make sure you watch the video for this one).
Continuing on the subject of dance music, French house producer Andora’s newest track “Palette” is a booming, bouncy track. And Purple Disco Machine teamed up with Chromeo, a match that makes a lot of sense on paper, and turned in some solid work with “Heartbreaker”, which plays exactly to both of their strengths.
If you’d like your electropop a little more alt-rock-ish, CATBEAR (“Rush”) and Boy Jr. (“Still Be Friends”) had some solid new singles.
And if you want something a little more towards hyperpop, Father Koi (“locket”) and saoirse dream (“i want it all (trophy)”) also return to the playlist with their new tracks.
Some other, shorter thoughts
I feel like I’ve been lumping together a lot of the electronic releases I’ve covered lately, and I’m probably going to do that again this time; most of the artists I’m including here are ones that have featured multiple times (except for Glitch Cat, who I found through a collaboration with sponzi), and my vocabulary for this type of stuff is still developing (and it probably doesn’t help that most of the releases are just EPs and singles, so there’s a little less material to dig into too). Like, I could tell you the kind of music they all make (it’s a lot of bright, high-energy pixel pop/kawaii future bass), and I could tell you that I liked them a lot, but I’m still not great at describing what makes one release different from the first.
But anyway, the things I’m including here are
Snail’s House: ‘Pixelize II’ EP (I guess I can say that the Pixelize releases have felt… more digital, like a certain vein of 2000s electronic pop? And a little closer to their original ‘Alien Pop’ series. I’ve liked it so far!)
Sponzi: ‘Telescopic’ EP + some backlog singles
Alpha: ‘scenery of’ EP + “citrus”
Glitch Cat: ‘Floating Leaves’ EP
Aurora: ‘What Happened to the Heart?’ wore me down a little with its length, but there are enough good songs within that it was still difficult for me to whittle it down to just two picks for this list.
Sydney Sprague: After raving about ‘somebody in hell loves you’ last time, I went back and checked out her 2021 debut album ‘maybe i will see you at the end of the world’. There’s a lot to like there, and it shares a lot with the second album, but I still prefer the songwriting and flow on ‘somebody in hell…’ more. But if you also liked that one and want more of that sound, give this one a try too.
Really, there are a few other cases of this further down the playlist, where I went deeper into an artist’s earlier work if I started on their newer releases and liked them; and generally, if I included it on the Playlist and didn’t write anything up, it fits that criteria. But Sprague’s first album is, like, a smidge above that, so I wanted to give it a special mention.
Okay, I’ll also give a similar quick mention to Bay Area natives Life Sized Models, another favorite from the Start of 2024 list, and their ‘Everything Changed’ EP.
Oh, I’ll also give a shout out to Sister Species, a chamber pop band who featured on my Summer 2022 playlist, and who I meant to look into more, but who slipped my mind in the mix of so many other artists. But I finally remembered to check out more of their backlog in their album ‘Heavy Things Do Moves’, and was mad at myself for letting them go that long. I forgot how much I love their unique sound (which is built around a trio of trumpets, and often works in other unusual-for-pop sounds like accordion, double bass, and other wind instruments), and tracks like “Gaslight” and “Olive Branch” brightened up my day.
Pre-release singles from albums that might show up on the next Playlist:
“Hallelujah”-BAD MOVES
“Glasgow”-Pale Waves
“Cruel Intentions”-Neon Trees
“Emily & Her Penthouse in the Sky”-Bastille
“feelslikeimfallinginlove”-Coldplay
Full Playlist Below:
| Artist | Song | Release |
|---|---|---|
| Magdalena Bay | She Looks Like Me! | Imaginal Disk |
| Magdalena Bay | Death & Romance | Imaginal Disk |
| Magdalena Bay | That's My Floor | Imaginal Disk |
| Porter Robinson | Russian Roulette | SMILE! :D |
| Porter Robinson | Perfect Pinterest Garden | SMILE! :D |
| Porter Robinson & Frost Children | Mona Lisa | SMILE! :D |
| The Greeting Committee | Cyclical | Everyone's Gone and I Know I'm the Cause |
| The Greeting Committee | Tell Me I'm Wrong | Everyone's Gone and I Know I'm the Cause |
| The Greeting Committee | How It Goes | Everyone's Gone and I Know I'm the Cause |
| Brigitte Calls Me Baby | Pink Palace | The Future Is Our Way Out |
| Brigitte Calls Me Baby | I Wanna Die in the Suburbs | The Future Is Our Way Out |
| Brigitte Calls Me Baby | Palm of Your Hand | The Future Is Our Way Out |
| Friday Pilots Club | Nowhere | Nowhere |
| Friday Pilots Club | Vampire Disco | Nowhere |
| Friday Pilots Club | Nosedive | Nowhere |
| Friday Pilots Club | For the Wicked | single |
| Friday Pilots Club | IDWBS | I LOVE YOU, ROBOT SUPERSTAR! EP |
| Friday Pilots Club | Pushing Daisies (Oh My My) | single |
| Nourished By Time | Hell of a Ride | Catching Chickens-EP |
| Nourished By Time | Romance In Me | Catching Chickens-EP |
| South Arcade | stone cold summer | EP |
| South Arcade | Sound of an Empty Room | single |
| Plasma Cutter | Get in Loser, We're Going to Fight for Someone We Don't Know | III: Swords And Potions And Crystals And Sweet Tea And Flowers And Spell Scrolls And Drawings Of Dogs And Some Songs |
| Plasma Cutter | Tony Hawk's Existential Nightmare | III: Swords And Potions And Crystals And Sweet Tea And Flowers And Spell Scrolls And Drawings Of Dogs And Some Songs |
| Early Eyes | Chemicals | Look Alive! |
| Early Eyes | Dying Plant | Look Alive! |
| Similar Kind | I Don't Wanna Fight Anymore | Commercial Break |
| Similar Kind | Leonard St. | Commercial Break |
| Compass & Cavern | I Discovered the Future | single |
| Compass & Cavern | Adolescent Eyes | single |
| Compass & Cavern | Fire | Fire-EP |
| Compass & Cavern | Puppies (Smile Back) | Diamonds from the Sky-EP |
| June Jones | Crazy Gurl | Proximity-EP |
| June Jones ft. Perfectworld | Dog | Proximity-EP |
| underscores | My guy (Corporate Shuffle) | Wallsocket (Director's Cut) |
| underscores | Stupid (Can't run from the urge) | Wallsocket (Director's Cut) |
| The Decemberists | Long White Veil | As It Ever Was, So It Will Be Again |
| The Decemberists | America Made Me | As It Ever Was, So It Will Be Again |
| Joywave | Brain Damage | Permanent Pleasure |
| Joywave | He's Back! | Permanent Pleasure |
| Lake Street Dive | Far Gone | Good Together |
| Lake Street Dive | Get Around | Good Together |
| Dayglow | Second Nature | People in Motion |
| Dayglow | Then It All Goes Away | People in Motion |
| Voluntary Hazing | 3 Years | Addictive Little Sounds |
| Voluntary Hazing | Skemsco | Addictive Little Sounds |
| DreamStates | All I Need | The Double-Time Dilemma |
| DreamStates | HO HEY! | The Double-Time Dilemma |
| chloe moriondo | Celebrity (Blood Bunny Version) | single |
| chloe moriondo | I Want To Be With You (SUCKERPUNCH Version) | single |
| St. Lucia | Back to You | single |
| nightlife | strangeluv | single |
| Moody Joody | Velvet Connection | single |
| Gryff feat. Max Cruise | Losing Touch | single |
| PRIZM | Doin' Alright | single |
| Jamie Paige | Machine Love | single |
| FLAVOR FOLEY | weathergirl | single |
| Good Neighbours | Daisies | single |
| Good Neighbours | Espresso | single |
| Magnolia Park | I2I | single |
| Beach Bunny | Vertigo | single |
| Roosevelt | Automatic | single |
| Daði Freyr | Fuck City | single |
| Andora | Palette | single |
| Purple Disco Machine & Chromeo | Heartbreaker | single |
| CATBEAR | Rush | single |
| Boy Jr. | Still Be Friends | single |
| Father Koi | locket | single |
| saoirse dream | I want it all (trophy) | single |
| Snail's House | Technicolor | Pixelize II-EP |
| Snail's House | Signal | Pixelize II-EP |
| sponzi | Trajectory | Telescopic EP |
| sponzi | Groove Voyage | Telescopic EP |
| sponzi | Reach | single |
| sponzi | Breeze | single |
| alpha | waterdrop | scenery of-EP |
| alpha | citrus | single |
| Glitch Cat | Floating Leaves | Floating Leaves-EP |
| Glitch Cat | Glxy | Floating Leaves-EP |
| Aurora | Your Blood | What Happened to the Heart? |
| Aurora | A Soul With No King | What Happened to the Heart? |
| Sydney Sprague | object permanence | maybe I will see you at the end of the world |
| Sydney Sprague | Steve | maybe I will see you at the end of the world |
| Life Size Models | Polar Nights | Everything Changed-EP |
| Life Size Models | Bayshore Freeway | Everything Changed-EP |
| Sister Species | Gaslight | Heavy Things Do Move |
| Sister Species | Olive Branch | Heavy Things Do Move |
| BAD MOVES | Hallelujah | pre-release |
| BAD MOVES | Get Slow | BAD MOVES-EP |
| Pale Waves | Glasgow | pre-release |
| Neon Trees | Cruel Intentions | pre-release |
| Bastille | Emily & Her Penthouse in the Sky | pre-release |
| Coldplay | feelslikeimfallinginlove | pre-release |
| The Beaches | Desdemona | The Professional-EP |
| The Beaches | Fascination | The Professional-EP |
| The Beaches | Keeper | Late Show |
| The Beaches | Sweet Life | Late Show |
| Robinson | Oblivion | Chasing Nirvana-EP |
| Robinson | Teenage Renegade | single |
| Atomic Tom | Drive Away | single |
| Smallpools | Be Kind, Rewind | single |
| LOBBY BOY | Hiding From the End | single |
| Madame Reaper & the Gentlemen's Club | Feast (an album) | single |
| Gavin Turek | IOU | single |
| Anecdata | Fake Job | Obsolete |
| Elephant Gym (feat. Kento Nagatsuka) | Quilt | Underwater |
| Ura Star & Fireball Kid | Kissing All My Friends | single |
| MisterWives | Organized Chaos | single |
| Jukebox the Ghost | I Feel So Good | single |
| Mystery Friends | See Right Through | Past & Future Self |
| talker | Return to Sender | I'm Telling You the Truth |
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