I had a lot of fun making
a playlist for the last Music Monday, so I want to try it again. This time,
in celebration of the Memorial Day weekend, I want to focus on Summer Songs.
And I’m not referring to how people will label certain pop songs “the song of
the summer”, I’m talking about songs that feel explicitly summery (although
there can be overlap, depending on the song I guess, although I don’t include any
of that overlap here). I have no idea if other people think of songs as “Summer
Songs”, but I definitely do. And for whatever reason, none of the other seasons
get that sort of label in my head.
My most basic definition has been a sort of tautological
“songs that sound good during summer”, something you would listen to sitting by
the pool, or driving around with the windows down on a hot day, or just
enjoying warm evenings.
I’ve just tried reverse engineer what qualities make me
think that, but there hasn’t been any one factor that’s consistent among
them.* There have been a few qualities
I’ve noticed though, including things like strong basslines; a light and almost
airy feel (although not all are explicitly; explicit references to summer,
heat, relaxing/wasting time, and youth; high synth or guitar parts, mostly as
rhythm instruments but sometimes with lead riffs; and big,
easy-to-sing-along-to choruses as well as frequent use of non-words (like
“ohs”, for example) to the same end.
*Other than “I have
memories of listening to them over the summer”, but that’s a big
chicken-and-egg question. Did I listen to them over the summer because I
thought they sounded summery? Or did I decide they sounded summery because I
remember listening to them over the summer? Not all of them came out during the
summer, for what it’s worth, so I think that leads me to think it’s the first,
but I can’t be sure either way.
Now that I got that way-too-academic breakdown, here’s the
playlist:
1. Lost-Scavenger Hunt
2. Quesadilla-WALK THE MOON
3. Classic-The Knocks featuring Powers
4. When I’m Away-The Colourist
5. Uma-Panama Wedding
6. Already Love-Great Good Fine Ok
7. All Over-CRUISR
8. Street Fight-Smallpools
9. Sleepless Streets-Youngblood Hawke
10. Too Young-Ghost Beach
The first ten songs on the playlist feel more like “summer
day” songs. They’re generally a little brighter in tone than the back six songs
of the set. I tried to get some variety from last time’s playlist, but there’s
some overlap in artists (as well as one song, but “Street Fight” fit too well
to leave off).
Some of these bands could fit my theme with several of their
songs. The Colourist is just a sunny band overall, the perfect representation
of their Southern California roots, but “When I’m Away” clinched my spot for an
opening riff that sounds like their imitating a steel drum.
Scavenger Hunt is another band from Southern California that
feels like it, although I’d describe their sound less as “sunny” and more as
“chilled and relaxed”. It almost makes me think of the ocean. The opening notes
to “Lost” are maybe the most evocative of the feel I’m going for, and the words
(“Let’s get lost/and find our way back together”) capture the idea of laid
back, unplanned adventures unfolding.
In contrast, Ghost Beach and Panama Wedding are both from
New York City, but maybe their names are just giving me some associations. Both
definitely like their synths, guitars, and basslines like I was mentioning. I
almost went with “Feels Like Summer” for Panama Wedding, but that seemed too
on-the-nose, while “Uma” works just as well. Meanwhile, “Too Young” closes out
Ghost Beach’s album with a flurry of “ohs”, which made me think it would work
as the close to the first segment of the playlist.
The Knocks and Powers, two more New York bands, explicitly
set out to make a summer song with “Classic”, and perfectly encapsulate
everything that I like about these songs in the process.
“Already Love” and “Sleepless Streets” are on the relaxed
side of the spectrum, building off of solid bass grooves with watery synths or
bright rhythm guitars for the verses, and with much bigger, bombastic choruses.
On the other hand, “All Over”,
“Quesadilla”, and “Street Fight” are all songs that I was thinking of when I
wrote about “songs for driving around to with the windows down”. They all have
much more oomph behind them, and a bright youthful energy.
11. Pierre-Ryn Weaver
12. Rollercoaster-Bleachers
13. Flash of Light-Parade of Lights
14. Colour-Wild Cub
15. Wild Child-Cardiknox
16. Maybe Tonight-Scavenger Hunt
These ones represent the night side of the playlist. There’s
a sort of mix between youthful energy and optimism, and a nostalgic longing for
those feelings. I wrote about “Pierre” (which references the Fourth of July) last
summer, while “Rollercoaster” (which also opens by looking at summers past)
touches on a lot of those same themes with a little less wide-scope grandeur
and more narrow-focus earnestness.
“Flash of Light” brings a little lighter subject matter than
those. It feels a lot like “Already Love” though, with a sort of flowing-watery
synth feel to it, but the tones feel a little lower, darker, and fuller. It
makes it sound like the night half of the playlist, even though it feels like
it would fit right in with the first ten songs thematically.
I think of watching fireflies at night when I listen to “Colour”
I can’t figure out why. There’s another reference to heat, and the album cover
is two kids laying on the grass, and I guess those are both related in their
own ways, but lyrically, it feels a lot closer to “Rollercoaster” and “Pierre”,
although something about it strikes me as more hopeful. But instrumentally, it
has a lot of the things I’ve been talking about.
“Wild Child” is none of these things. It’s a celebration of
young energy, staying out, and enjoying life, and that feels like a pretty
solid idea to be celebrating in the summer. It’s got all the glitzy synths and
guitars you can want, and it’s hard not to sing along to it your second or
third time through (and of course it
has parts with “ohs”, so you can start singing the first time without having to
learn words).
(You might not be able to see Maybe Tonight; it’s not normally on
Spotify, and I can’t find it anywhere else other than iTunes. It's showing up on the embed on my computer, but I can't tell if it's just pulling the local files on my computer, so it might not work. It made for a
good bookend, though, and it’s a solid thematic echoing of “Wild Child”, plus a
lot more references to summer and the tropics specifically. If it's not working, you should try to
look into it if you can, but if you can’t find it, “Wild Child” also works as a closer.)
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